#-----------------------------PLEASE NOTE-------------------------------------# #This OLGA file is the author's own work and represents their interpretation # #of the song. You may only use this file for private study, scholarship, or # #research. Remember to view this file in Courier, or some other monospaced # #font. See http://www.olga.net/faq/ for more information. # #-----------------------------------------------------------------------------# From: "ryan ray" Subject: i/i_mother_earth/good_for_sule.tab Date: Fri, 26 Oct 2001 19:13:58 -0400 title: "good for sule" artist:i mother earth album: "blue green orange" transcibed by ryan ray, eclectic_koolaid@hotmail.com write to correct, or to write. if somebody tabs the bass for this, send it over. archivist-i'm pretty sure there's no other transcription of this, but if there is, add this on anyways. notes: won't even try figuring out the fucked up computer-type sounds. the B to A progressions are subject to mild improvisation. to make this work good in a band, you need a damn good bass player, singer, drummer, and someone who's willing to learn a small piano part. unless you love the song, you might as well not learn it. anyways. E/F# F#\E E/F# F#/Ab E|------------------------------------------| B|------------------------------------------| G|------------------------------------------| D|-9/11-11---11\9-9----9/11-11---11/13-13---| A|-7/9-------9-\7------7/9-------9-/11------| E|------------------------------------------| the father's torment... 0:36 B A E|--7-------------------------------------------5-----------------------| B|--7-------------------------------------------5-----------------------| G|--8-------------------------------------------6-----------------------| D|--9---------------------\---------------------7-----------------------| A|--9-------------------------------------------7-----------------------| E|--7-------------------------------------------5-----------------------| become.. a whole world away.... B waits.. A hear... 1:01 (piano) x2 B F# E Eb A Ab A E Eb C# E|-----------------------|-----------------------------| B|-12--7--5-4--12--7-5-4-|-10--9--10--10--5--4--2------| G|-----------------------|-----------------------------| D|-----------------------|-----------------------------| A|-----------------------|-----------------------------| E|-----------------------|-----------------------------| B A verse 2-same B and A. they made me remove the lyrics, but you can find them in the album sleeve. it's one of the most amazing albums you'll ever hear and it's definitely worth getting. B A B A 1:46 E|------------------------------------------| B|------------------------------------------| G|------------------------------------------| D|-9/11-11---11\9-9----9/11-11---11/13-13---| A|-7/9-------9-\7------7/9-------9-/11------| E|------------------------------------------| x2 w/o words verse 3: same B, same A chorus: B to come > A reaching out B hope... A E|-----------------------|-----------------------------| B|-12--7--5-4--12--7-5-4-|-10--9--10--10--5--4--2------| G|-----------------------|-----------------------------| D|-----------------------|-----------------------------| A|-----------------------|-----------------------------| E|-----------------------|-----------------------------| B A he's the only one.. first verse lyrics: B A and then: (four measures of intensified bass and drums,) while you play B and A and watch and listen and then.. E|-----------------------|-----------------------------| B|-12--7--5-4--12--7-5-4-|-10--9--10--10--5--4--2------| G|-----------------------|-----------------------------| D|-----------------------|-----------------------------| A|-----------------------|-----------------------------| E|-----------------------|-----------------------------| B A good for you, sule eventually hold out B then play A and B quieter while the song fades and end with a B bass note, sliding to C# back to B performance notes: i think the B to A progression is mostly acoustic, while the verse riff is clean electric, maybe mildly distorted sometimes. *this song represents the author's interpretation of the sounds, and it's all my own work. *****************************************************************************